{"id":398915,"date":"2026-04-29T11:49:02","date_gmt":"2026-04-29T04:49:02","guid":{"rendered":"https:\/\/unair.ac.id\/exploring-haruki-murakami-works-japanese-studies-program-hosts-malaysian-scholar\/"},"modified":"2026-05-04T15:42:20","modified_gmt":"2026-05-04T08:42:20","slug":"exploring-haruki-murakami-works-japanese-studies-program-hosts-malaysian-scholar","status":"publish","type":"post","link":"https:\/\/unair.ac.id\/en\/exploring-haruki-murakami-works-japanese-studies-program-hosts-malaysian-scholar\/","title":{"rendered":"Exploring Haruki Murakami works, Japanese studies program hosts Malaysian scholar"},"content":{"rendered":"\n

UNAIR NEWS<\/b> \u2013 The name Haruki Murakami is widely recognized among global literature enthusiasts. The Japanese author is known for works that often place protagonists in states of solitude. His distinctive narrative style has influenced writers across Southeast Asia, including Malaysia.<\/span><\/p>\n\n

During a guest lecture titled <\/span>Haruki Murakami from the Perspective of Malaysian Creative Writers<\/span><\/i>, students from the Faculty of Humanities (FIB) 51动漫 examined this literary phenomenon in greater depth. The event was organized by the Japanese Literature Study Program on Tuesday, April 28, 2026, at Herodotus Room A, third floor of the FIB building, Dharmawangsa-B Campus.<\/span><\/p>\n\n

In her remarks, Head of the Japanese Language and Literature Program Nunuk Endah Srimulyani PhD emphasized that the lecture aimed to explore Murakami\u2019s writing style through the lens of Malaysian authors. She added that the forum could serve as a starting point for future academic collaboration in literary studies.<\/p>\n\n

\u201cIt could become an entry point for further research, for instance from an Asian studies perspective,\u201d she said.<\/p>\n\n

Examining sogai and the relevance of loneliness<\/b><\/h5>\n\n

Dr. Normalis Amzah explained that a central element in Murakami\u2019s style is <\/span>sogai<\/span><\/i>, or social alienation. He noted that the loneliness portrayed in Murakami\u2019s works differs from traditional notions of solitude that disappear through social interaction. Instead, <\/span>sogai<\/span><\/i> reflects a sense of isolation even in crowded environments.<\/span><\/p>\n\n

\u201cTypically, Murakami\u2019s protagonists are introverted and tend to act as observers rather than actively engage with others,\u201d he said.<\/span><\/p>\n

\n
\"\"
Dr. Normalis Amzah presents material introducing Universiti Kebangsaan Malaysia (Photo: Author\u2019s documentation)<\/figcaption><\/figure><\/div>\n

He also connected this concept to the evolution of Malay literature over the past two decades. While earlier works often focused on religious themes and collective society, contemporary Malay literature has shifted toward individualism, exploring inner human experiences more relevant to modern life.<\/p>\n\n

Magical realism and absurdism<\/b><\/h5>\n\n

Beyond themes of loneliness, Murakami\u2019s works frequently incorporate magical and absurd elements. Illogical occurrences such as talking cats or portals to alternate worlds are presented as ordinary within his narratives. These surreal aspects often serve as manifestations of loss or trauma that cannot be expressed through words.<\/p>\n\n

\u201cThis is a defining characteristic of Murakami that inspires Malaysian writers. The solitude of his characters allows readers to connect with those magical and absurd experiences,\u201d said the Universiti Kebangsaan Malaysia academic.<\/p>\n\n

Several Malay literary works have drawn inspiration from Murakami\u2019s style, including <\/span>Stereo Genmai<\/span><\/i> by Ridwan Saidi. The work features mystery elements and characters trapped within their own thoughts and has gained popularity in Malaysia for its accessible blend of the supernatural and the everyday.<\/span><\/p>\n\n

\u201cMurakami\u2019s influence extends beyond Malaysia. It reaches a global audience. Perhaps it is because he does not focus on external realities, but instead explores the inner world of human beings,\u201d he concluded.<\/p>\n\n

Author: Amelia Farah P.I<\/p>\n\n

Editor: Yulia Rohmawati<\/p>\n","protected":false},"excerpt":{"rendered":"

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